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001			21595261
003			OSt
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008			200629s2020 ncua b 001 0 eng
010			_a 2020006435
020			_a9781478011200 _q(paperback)
035			_a21595261
040			_aNcD/DLC _beng _erda _cIISERB
042			_apcc
043			_aa-ii---
050	0	0	_aML3917.I4 _bD388 2020
082	0	0	_a305.2421095456 D262G _223
100	1		_aDattatreyan, Ethiraj Gabriel. _933671
245	1	4	_aGlobally familiar : _bdigital hip hop, masculinity, and urban space in Delhi / _cEthiraj Gabriel Dattatreyan.
260			_aDurham: _bDuke University Press, _c2020.
300			_axiv, 250 pages : _billustrations ; _c24 cm
504			_aIncludes bibliographical references and index.
505	0		_aFriendship and Romance in the Globally Familiar -- The Materially Familiar -- Labor in the Globally Familiar -- Hip Hop Ideologies and the Globally Familiar -- Globally Familiar Urban Development -- Race in the Globally Familiar
520			_a"THE GLOBALLY FAMILIAR is a ethnographic study following young men in Delhi's hip hop scene from a variety of class, caste, geographic, and cultural-linguistic backgrounds as they construct themselves through their online and offline aesthetic practices. A synthetic term, the globally familiar is used to describe and theorize how digital platforms offer these young men the means to reimagine and remake self and city through hip hop practice. Recognizing the reach of American Black masculinity beyond the African diaspora, digital hip hop becomes the lens by which these young men come to understand and creatively mobilize their perceived and experienced gendered (classed, and racialized) difference in ways that produce new relations in and with the city they call home. The book is divided into six chapters that structure the analysis of the globally familiar into its composite thematic parts: relational, consumptive, material, global, spatial, and racial. Chapter 1 discusses how intimate relationships and friendships are constituted across difference through digital hip hop practice. Chapter 2 focuses on the consumption of sartorial accouterments, or swag, and its transformative capacity to offer a connection to an embodied American Black masculinity. Chapter 3 investigates the audio-visual material production of hip hop and its circulation in digital realms, and its relation to immaterial labor. Chapter 4 looks at the complex political economy of returning Indian diasporic hip hop emissaries, and how they seek to capitalize on the creative endeavors of the young men in Delhi's hip hop scene, offering these young men material and symbolic incentives to collaborate with them. Chapter 5 situates the case by artists and activists for an alternate development model for the urban village, represented as a global 'hood, against modern urban change in Delhi. Chapter 6 engages with the ways racism is evoked and experienced by a broad array of young male practitioners in the city, and the ways in which the globally familiar of race - vis-à-vis media accounts of systemic discrimination and popular resistances to them elsewhere--becomes a site of solidarity and creative production in Delhi, even as it also becomes a locus of fracture and impossibility"--
650		0	_aMusic and youth _zIndia _zDelhi. _933672
650		0	_aHip-hop _xSocial aspects _zIndia _zDelhi. _933673
650		0	_aMusic _xSocial aspects _zIndia _zDelhi. _933674
776	0	8	_iOnline version: _aDattatreyan, Ethiraj Gabriel, 1974- _tThe globally familiar _dDurham : Duke University Press, 2020. _z9781478012726 _w(DLC) 2020006436
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2ddc _cBK
999			_c11253 _d11253